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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

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Recent Feature

L.A. Confidential

L.A. Confidential

The first in a series of reports on the art world.  In May, it seemed like we were almost entirely out of the woods with Covid-19, and then along came the Delta variant and the post-pandemic euphoria rapidly dissipated. Still, as long-time observers of the Los Angeles...

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From the Vasari21 Archives

Extreme Self-Marketing

It should probably come as no surprise that Jeff Koons at points in his career has hired “image consultants”—professionals who give advice on cultivating and presenting an appealing persona. The artist got his start, after all, as a…

Say It with Flowers: Part Two

More of nature’s bounty from the garden As mentioned in Part One, flowers simply never go out of fashion. Here are a dozen more artists who have found ways to put a fresh spin on a centuries-old subject. Peggy Klineman: “Living in New York City, I longed to be in...

Vigée the Victorious

The life of the beautiful, clever, and prodigiously gifted Elisabeth Louise Vigée Le Brun (1755-1842) is one of those rags-to-riches sagas irresistible to storytellers of any era. She was born in Paris to a minor portraitist and a hairdresser…

Instagram for Artists

Getting the Most from Your Posts When a friend urged me to start posting on Instagram a few months ago, I immediately balked. I was already uploading a Vasari21 Pic of the Day to Facebook, pinning stuff to Pinterest, sending out weekly bulletins and updates, and...

A Sense of Place

What does it mean to be a “regional artist” today? By Millicent Young Bradley Sumrall, curator at the Ogden Museum of Southern Art, posed this question in his juror’s talk for “Homeward Bound,” the Taubman Museum’s inaugural triennial for Virginia artists. I resisted...

The Naked and the Nude

Is there still any distinction? It might have been a test of how our perceptions of the unclothed body in art have changed over the past four decades: Seven years ago, at the Museum of Modern Art, a young man and a young woman stood facing each other in a doorway,...

Artists Respond to the Pandemic Part 2

Here we are, now well into the third month of self-isolation, wearing our masks like good citizens if we go out at all, minding the headlines and the barrage of information, and perhaps generally adjusting to a global catastrophe whose true measure will not be known...

A Tribute to Jake Berthot (1939-2015)

I met Jake Berthot in 1992 while I was in my junior year at the School of Visual Arts in New York. I had already discovered his work and fallen in love with it. So much so that I tried copying everything I saw that I liked…

Fantasy Curating: Perfectly Imperfect

By Jina Brenneman Post-disciplinary, Neo Craft, Sloppy Craft, and the Hyper Pot are all descriptors that attempt to classify the seismic shift in contemporary ceramics. Artificial in nature, these technicolor works drip with irregularities, gloppy blobs, and bulges...

Michelle Cooke: Let There Be Light

In those halcyon days when people could still meet easily in restaurants—possibly late February or early March—I caught up with my friend Michelle Cooke, who divides her time between New York and Taos, NM, in a quiet corner of a local eatery called El Sabroso. What we...

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

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Archived Feature

Suggestions for Summer Reading

Suggestions for Summer Reading

Get a jump on the season with a beach-bag full of memoirs Perhaps because I’ve been working on one of my own (“Rotten Romance,” dispatched via Substack every Sunday), memoirs have been much on my mind. For purely recreational reading, I often prefer first-person...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

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Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

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 Archived Podcast

Alice Robb: Why We Dream

Alice Robb: Why We Dream

In the summer of 2011, science writer Alice Robb discovered a book called Exploring the World of Lucid Dreaming, which promised readers that they could control the plots of their dreams.

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